Apr 25, 2010 07:42 PM
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(Updated Apr 25, 2010 07:44 PM)
En.wikipedia.org/wiki/Jana_Gana_Mana#Controversies
An excerpt from the above source:-
The supporters of the nationalist message of Jana Gana Mana claim that "King", "Throne" and "chariot" refer to the Almighty (for e.g. Lord Krishna from Bhagvad Gita) who will lead India to freedom. "Ma" on the other hand is more likely to refer to "The Motherland" i.e. India, than King George V's mother- The Queen. In Amar Sonar Bangla, the national anthem of Bangladesh, Tagore has used the word "ma" and "mata" numerous times to refer to the motherland. In his deeply mystic book "Gitanjali" (an offering of songs to the God) Tagore has used the same metaphor of God as "King":-
Poem #50: "I had gone a-begging from door to door in the village path when thy golden chariot appeared in the distance like a gorgeous dream and I wondered who was this King of all Kings!"
Poem #51: "The King has come- but where are lights, where are wreaths? Where is the throne to seat him?..... Open the doors, let the conch-shells be sounded!"
Poem #35: "Where the mind is without fear and the head is held high...Into that heaven of freedom, my Father, let my country awake."
The following phrases ignored by the proponents of the King George V controversy strengthen credibility of Jana Gana Mana's patriotic message:-
Stanza 1: "Jana gana mangaldayako" The saving of all people waits in thy hand. Saving from what? Obviously British imperialism.
Stanza 2: The call of the Lord (not the King or Queen)is announced in every Indian home continuously in their prayers. He brings "Oikyo" i.e unity of the people to gain freedom.
Stanza 3: "Jugo Dhabito Jaatri"(Pilgrims of the ages)are those who follow the path leading to god, not to some King or Queen of British Empire. Similarly "Biplabo" i.e. fierce revolution is our freedom struggle and "Shankhodhwoni"(conch-shell sound) in mythology announced the start of a "battle", here- nationalist struggle against the Empire. This is a path of sacrifice and only God can protect from fear and misery (Sankato Dukho).
Stanza 4: Through nightmares and fears, our mother i.e. motherland protected us in her lap, not the Queen.
Stanza 5 "Nidrito Bharato Jaagey" (Sleeping India awakens). This phrase has been used at least once by every nationalist poet to awaken the masses for revolution against British Imperialism. The "Supreme King" makes a mockery of King George V in the sense that the protector of India is a king above all mortal kings.
On 10 November 1937 Tagore wrote a letter to Mr Pulin Bihari Sen about the controversy. That letter in Bengali can be found in Tagore's biography Ravindrajivani, volume II page 339 by Prabhatkumar Mukherjee .
"A certain high official in His Majesty's service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart. In response to that great mental turmoil, I pronounced the victory in Jana Gana Mana of that Bhagya Vidhata [ed. God of Destiny] of India who has from age after age held steadfast the reins of India's chariot through rise and fall, through the straight path and the curved. That Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George. Even my official friend understood this about the song. After all, even if his admiration for the crown was excessive, he was not lacking in simple common sense."
Again in his letter of 19 March 1939 Tagore writes,
"I should only insult myself if I cared to answer those who consider me capable of such unbounded stupidity as to sing in praise of George the Fourth or George the Fifth as the Eternal Charioteer leading the pilgrims on their journey through countless ages of the timeless history of mankind." (Purvasa, Phalgun, 1354, p738.)
