Dec 17, 2016 12:08 PM
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WAJAH TUM HO REVIEW: Wajah Tum Ho is the most recent item on the sequential construction system of insane sex-thrillers. Which is shocking, on the grounds that the thought isn't half terrible.
A tech virtuoso hacks into a TV channel claimed by Rahul Oberoi(Rajneish) and begins spilling a murder on it. Rahul - the prime suspect - is examined by monitor Kabir(Sharman) and shielded by his legal advisor, Siya(Sana). Siya's beau Ranveer(Gurmeet) is employed by the legislature to arraign Rahul. The plot thickens(by around an inch) when another suspect is slaughtered off on live TV.
At first glance level, live murders on national TV took after by a manhunt sounds like an interesting plot. Be that as it may, minutes into the motion picture, interest offers approach to private scenes, flinch commendable exchange and exceptionally unsurprising turns.
At a certain point in the second half, you understand that an entire lump from the main half was superfluous; hacking is clarified in a powerpoint presentation; a few references are made to how a lady who lays down with her sweetheart ought not grumble about assault and the enormous uncover toward the end is without rationale. Another grumble: the stunning English elocution of the considerable number of performing artists. A discourse mentor would have been a decent venture.
Rajneish, who changes his name's spelling in each film, needs to understand that the change must be made somewhere else. Gurmeet parades his abs and very little else and Sharman, the main tenable on-screen character here, goes somewhat over-the-top with his articulation. Sana, a Bigg Boss alumna, is still play-representing 94 cameras as opposed to performing genuinely for one.
Three of the four tunes are entertainments of more established hits and fly up obediently when there's a respite in the screenplay. The foundation score declines to fade away and goes with you all through the motion picture.
There is no legitimate motivation to prescribe this one.
