Dec 23, 2016 01:08 PM
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We will need to quantify Aamir Khan's future exhibitions with this one: as Mahavir Singh Phogat, fizzled wrestler, harsh slashed tyrant, yet minding spouse and father of four young ladies, he scales it up to a point where you can see the star thought on a character, attempt it for size, and make it his own.
That was pivotal for us to trust in Dangal, which acquires a few components from the genuine Haryana wrestler who prepared his more established two little girls, Geeta(Fatima Sana Shaikh) and Babita(Sanya Malhotra), in the craft of wrestling, and transformed them into champs.
Dangal takes a shot at the twin parameters it sets up for itself. One is a straight-forward film about a prevalent game and the individuals who play it: we feel and notice the `mitti' of the `akhara', the `daanv-pench'(moves) that really gifted wrestlers use to confront down impressive adversaries. We see the hard labor that go into the making of champions.
The other is a solid women's activist articulation about young ladies being the equivalent of young men, if worse, in a zone they've never been seen, not to mention acknowledged. At the point when Mahavir ventures into that precarious field, he is scorned and derided: so are his young female charges, and in addition their mom(Sakshi Tanwar) who couldn't bear children.
