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MouthShut Score

68%
2.84 

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Of entertainment and realism...
May 25, 2007 05:21 PM 3266 Views
(Updated May 25, 2007 05:22 PM)

Plot:

Performance:

Music:

Cinematography:

Generally, having gone through a tough week, most


working class people would want for nothing better than to go for some good


entertainment to unwind. Generally a movie works brilliantly to that effect


more often than not. Then again there are those who prefer watching realistic


movies as they feel mindless movies are a waste of time..... I personally


belong to the former since there is enough of reality to get bothered with, for


one to take more of the same in entertainment also. The question is what


exactly is Shootout at Lokhandwala? A realistic docudrama, or a generic


testosterone driven shoot em up, devoid of any sensibility? Those were the


questions asked by my peers surrounding this weeks release..... Having been


intrigued by the promos and look, I couldnt help going for this (it seemed


right up my alley, proper action/style), and considering that this came from


the director of Ek Ajnabee I felt if nothing else at least it would be


slick...Having said that, the question is, what sort of audience would it


satisfy and to what extent, in this day and age of increasingly sensible


cinema?


Plot:


ACP Shamsher Khan (Sanjay Dutt). Inspector Kaviraj Patil (**Sunil


Shetty). Constable Javed Shaikh (Arbaaz Khan**). Three men who are


being dragged through the mud by both the media and  human rights


organization for inhuman behavior towards gangsters Maya Dolas (Vivek Oberoi),


Dilip Buva (Tusshar Kapoor) and their henchmen in a recent shootout in


the city of Bombay, 1991. There are various theories being thrown around, such


as the killings were inhuman since they wished to surrender and that the most


notorious don himself ordered the killings. Their defence lawyer, former Chief


Justice Dhingra (Amitabh Bachchan), calls to grill them before the case


and find out what really happened and why.  What follows from here is a


story in which right and wrong, good and evil are both well defined but each


are equally flawed and redeemed, and their final clash leading to a bloody


shootout.


*Pros:



1)The treatment. While this wasnt going to be the most documented take


or the most realistic, what I liked was the way the characters were treated.


There was no straightlaced hero, each and every hero had his flaws which


affected his life, no bhaari bhashan bazi of farz and imaandari, the true


frustration that policemen feel upon getting such low wages for their risk of


life, is well documented. And no completely evil villain. They were evil men, bad


men, and they deserved in large parts what they got, due to their power


madness, but fact is they had a good side which was away from their profession


for their loved ones and that was shown well in the movie. Yes they were good


and bad guys, but their conflict and the lack of redemption at the end was a


welcome change,


such events happen and the policemen dont feel remorse, its something thats


needed to be done a lot of the time, and that feeling came through well.


2)The direction, even though the movie flashes between  the


present and past, there is no huge discord and the proceedings flow smoothly


and Apoorva Lakhia does a better job here than in Ek Ajnabee, simply because


that was an almost scene by scene remake and here this topic had not been broached


before, so for him to do justice to the script and get out good performances


from the cast, shows that he is becoming better with each movie, even if his


forte maybe action movies, Heavens know we ned more of those, what with the


mush overload thats prevalent most of the time.


3)And most of all the theme, of it being a violent action packed movie


that appealed to the male audience was something refreshing. Its been a while


since movie makers came out with such stuff, most movies these days are made


keeping the women quotient in mind and most of the time romantic movies end up


becoming chick flicks, which shouldnt always be the case. I dont mind all


genres but its refreshing to see a movie made for the boys to be enjoyed by the


boys. Proof is all the girls in our group were whining about a "sick and


disgusting bloody" movie while the guys were relishing every second.



Cons: *


1)Majorly, the songs. A movie like this doesnt need songs, when the


theme is such, wheres the ned for a song? It wouldv ebeen better had they just


shown the villains enjoyin themselves at a dance bar or dancing for maybe a


minute and cutting forward, instead of the whole song being blared, except for


maybe "Ganpat" for commercial reasons.



2) **I may sound chauvinistic over here, but fact is in this movie, the


actresess gave the most pathetic performances ive seen a in a male dominated


flick in a long time. At least one feels sorry for the long suffering wife


there, over here you just wish that ACP Khan gets rid of his wife (**Neha


Dhupia**) by maybe asking Maya to bump her off, THAT irritating is she. As


for Diya Mirza, cute as she is, she's made a career out of doing two scene


roles, so there isnt much to be said about her or her lack of performance.


3) The side characters of Shabbir Ahluwalia (RC) and Aditya


Lakhia (Doubling) couldve been developed and made stronger, specially


that of doubling, poor chap just seems to be there.


As an aside, this movie is not meant for female aduiences. There is a HUGE body


and blood count, and the film is violent almost the duration of the entire


length. I enjoyed it, but I doubt families would like to see so much bloodshed


on the screen.


*Direction & Technical Team:


Apoorva Lakhia **as I said before is becoming a more brillliant director with


every movie. If cynics said that he just ripped off "Man On Fire"


scene by scene to make "Ek Ajnabee", here he proves he has the chops


to take a complex topic and make a good movie without using too many cliches.


His treatment, slick style and lack of self indulgence made this movie a crisp


and tightly made movie. Wouldve been better without the songs though, but


nonetheless, he does a great job, surpassing even "Ek Ajnabee". The


camerawork, cinematography  and detailing were done brilliantly by **Gururaj


S. Jois, **who brings out the dark and fast feel of the movie perfectly.


Stylishly shot, the Sanjay Gupta trademarks such as the nod to Reservoir dogs


(slow walk with the pounding background music) rule, even here.


*Performances on next page, MS is giving trouble uploading the review:





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